![]() When we spoke with Nicotero, he hadn't watched the completed finale. "When he's unconscious and Judith sees him and then when he wakes up again, that's where he was hit in the face." "It was the sequence where he gets hit by the troopers," Nicotero said, suggesting the black eye was something Reedus wanted. We asked Nicotero if he could explain what was going on with Daryl's black eye since it's not super clear in the episode how he gets hurt. Norman Reedus' on-set finale concussion didn't have anything to do with Daryl's distracting black eye make-up on the finale. With the finale, McCreary was able to have it evolve one last time. We'd add subtly different parts to the string writing so that you're gonna hear the mix change and evolve as the series went on." ![]() "Usually every week when I did a new session with the string orchestra, we would add a new layer. It doesn't always begin the same way and it doesn't always end the same way," McCreary said in 2011. "As the show goes on you're gonna notice that the main title goes through some subtle changes. McCreary released a YouTube video in 2011 breaking down the making of the main title score for "TWD." His wish was to always return to the title score and have it slowly evolve and change as the series carried forward. Not only does the score itself sound different because it was performed live, but it's also an expansion of what we normally hear week to week. Three of the people who worked on the original main title score with McCreary over a decade ago were in the room with him working on the finale. In July, "TWD" composer Bear McCreary revealed on Twitter he scored the final episode with a massive orchestra in Los Angeles alongside co-composer Sam Ewing, who joined the series in season nine. ![]() It often indicates a user profile.Ĭomposer Bear McCreary always wanted to have an evolving "TWD" main title. Account icon An icon in the shape of a person's head and shoulders.
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